Journal Entry

Carving Out a Permanent Corner of the Independent Web

Leon Nduati
Carving Out a Permanent Corner of the Independent Web

For years, we were sold the lie that third-party platforms were our friends.

We gave our writing to platforms that later threw up paywalls. We gave our music to streaming giants who reduced entire albums to thirty-second algorithm bait and paid fractions of a cent per stream. We gave our visual art to feeds that compress images into blurry squares and sandwich them between sponsored dropshipping ads.

When you build exclusively on rented digital land, your identity exists at the whim of product managers in Silicon Valley. If their recommendation algorithm shifts next month, your entire body of work can be vanished into the shadows with zero explanation.

This portfolio is my answer to that erosion.


The Archive as an Act of Resistance

I don't call this section a "blog." I call it an archive.

An archive is permanent. It is chronological, intentional, and sovereign. When you visit this domain, you are not subject to a recommendation feed designed to extract twelve minutes of your attention span. There are no tracking pixels, no popups demanding you download an app, and no engagement rings ringing in your notifications.

It is just my work, presented exactly as I intended:

  • The Music: High-fidelity audio waveforms, interactive lyrics, liner notes, and full uncompressed releases that aren't subject to arbitrary copyright strikes or streaming takedowns.
  • The Tech: Real development logs, systems architecture diagrams, and post-mortems from projects that pushed hardware and browsers to their limits.
  • The Art: High-resolution digital renders, traditional sketches, and visual experiments uncompressed by social media CDNs.

Building for the Long Haul

When I sat down to architect this site, I wanted it to feel like an instrument, not a marketing landing page.

I didn't reach for an off-the-shelf WordPress theme or a drag-and-drop website builder that generates fifty megabytes of unminified junk. I wrote custom TypeScript, configured Next.js hybrid static generation, crafted bespoke liquid-glass CSS shaders, and wired the Web Audio API directly into interactive canvas nodes.

If a building is worth living in, it’s worth laying the brick yourself.

Whether you came here after hearing a song on Half Thoughts, checking the commit history on one of my open-source repositories, or stumbling onto a late-night essay about identity—welcome. This is my permanent corner of the web. I'm glad you're here.

End